Superliga: the aesthetics of women's football

Superliga is Russia's top women's football division — strong play, a growing crowd, no visual identity yet. As lead producer I built one with the studio team: a reel, a 35mm photo series, and words.

2025

Superliga is the top division of women's football in Russia — strong play and a growing audience, but no visual aesthetic of its own yet. As senior producer and the person behind the idea, I pulled together, with the studio's production team, a visual project that builds the league's aesthetic out of three things: a reel, a series of film photographs, and words.

Context and task

Women's football in Russia is gaining audience and quality of play, and the visual language isn't keeping up: the league is known by its match results, almost never by its picture. Superliga needed a visual identity of its own — an aesthetic it gets recognised by, the way the strong leagues and clubs are, where visual culture was built long ago.

The task was an aesthetic one: to create, show and lock in a stylistic identity unique to Superliga — and to women's football itself. It needed a single visual canvas: a reel of the brightest moments from a cup tie, a series of film photographs, and texts about what happens on the pitch and off it.

Solutions

  • A cup-tie promo reel — a fast-cut edit of the brightest moments
  • A series of film photographs as part of the league's visual canvas
  • A run of written pieces on what happens on the pitch and off it

We came into the project as the RAFL studio team: me as senior producer and originator of the idea, and around me — direction, camera, film photography, editing and writers. We took a cup tie as the raw material for the visual canvas, where the momentum of the game, the grain of the film and the text all work toward one aesthetic image of the league.

At the meaning-centre of the reel is one idea: in women's football, the creative storytelling can't be pulled apart from the game. We built it on metaphors that catch: Blanter's "March", vintage boots and a young woman at the piano form a natural symbiosis. Recognisable markers from contrasting cultural and sporting worlds fold into a single aesthetic context.

A league's visual identity is one aesthetic language across every medium — video, photo, text all obey a single image. For Superliga, that language is the aesthetic of women's football.
Igor Selenov
Igor Selenov
media manager

How do you shoot a promo reel for a sports league?

Through an idea and an image that set the tone for the whole cut of highlights. In the Superliga promo the meaning-centre was a metaphor: Blanter's "March", vintage boots and a young woman at the piano pull the aesthetic of women's football into one visual context.

Why does women's football need its own aesthetic?

A strong identity helps a league grow as a brand: it gets recognised, talked about, joined. Superliga already has the game and the audience for that, and a visual aesthetic turns them into a clear image that reads at first glance.

Who made the Superliga visual project?

The Superliga visual project — the aesthetic of women's football — was made by a sports production studio team. Senior producer and originator of the idea: Igor Selenov; the reel, the film series and the texts were put together by the team under his production.

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Igor SelenovIgor Selenov